The discovery of an ornate Roman fresco revealed
An ornate fresco that once adorned the residence of a wealthy Roman citizen has been discovered by a team of our archaeologists at 21 Lime Street, in London. We uncovered the fresco six metres below street level, whilst undertaking archaeological fieldwork for a new office development. Dating to the late 1st century AD, and the first decades of London, it is one of the earliest surviving frescos from Roman Britain.
Roman building boom
Thanks to a huge Roman construction project, the fate of this rare wall painting was literally sealed in the ground. In AD 100, construction of the 2nd Forum Basilica, the main civic centre for the city and the largest Roman building ever built north of the Alps, began. In advance of construction of the Forum the area was flattened. The painted wall was deliberately toppled and the Forum immediately built over it, incredibly preserving the fresco for nearly 2000 years.
Discovered face down, the fresco was identified from the distinctive markings of the keyed daub onto which the plaster was attached. The fragile remains, surviving to a width of nearly 2.5 metres and a height of over 1.5 metres, were carefully removed from the site by our archaeological conservators, who lifted the fresco in 16 sections. Each section was supported, undercut and block lifted so that soil encased and protected the plaster. Back in the lab the conservators worked quickly to micro-excavate the soil whilst it was still damp, to expose the millimetre-thin painted surface beneath.
Feeling flush? Fashionable frescos
The painting is likely to have decorated a reception room where guests were greeted and entertained. Our building materials specialists are excited to study the elaborate fresco further and learn more about the fashions and interiors favoured by London’s first wealthy citizens.
The central section, on a background of green and black vertical panels, depicts deer nibbling trees, alongside birds, fruit and a vine woven around a candelabrum. Red panels, bordered with cream lines, surround the main decorative scheme. The fresco was hand-painted by a skilled artist in natural earth pigments, except one area of red on the twisting vine stem which is picked out in cinnabar, an expensive mercuric sulphide pigment that had to be mined in Spain.
Fascinatingly, a slight error in the design reveals that the craftsman who painted the fresco made a mistake. It suggests that there was more than one person painting the wall and that they may have been working to a pre-prepared template. The mistake could only have been corrected by repainting the whole middle panel.
Bigger is better
Although small fragments of Roman wall plaster have been found in London, complete collapsed wall paintings are extremely rare and the 21 Lime Street example is one of the earliest known from Britain. This design scheme has not previously been seen in Roman Britain; the closest example comes from a Roman villa in Cologne, Germany.
Our specialists continue to study the fresco and archaeological records from the dig and hope to build a picture of what the area looked like in the Roman period and how it developed over almost 2,000 years of London’s history.
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MOLA conservator, Luisa Duarte, explores the archaeological conservation of a fragile glass vessel for a National Geographic Magazine shoot.
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